This post will explain Powerhouse Firms Combined Forces. ” Appropriate” is not typically an attractive word. Unless you’re discussing restoring a 120-year-old SoHo loft with 11-foot ceilings and original cast-iron columns for a 28-year-old New Yorker, that is. “You’re taking an intriguing old thing, and you’re making it suitable for today,” discusses Andrew Oyen, principal at Ferguson & Shamamian Architects, who partnered with Elizabeth Lawrence, partner at Bunny Williams Interior Design, to offer the disheveled space back its original swagger for a client whose way of life included both studying for her master’s and amusing great deals of friends.
Two Powerhouse Firms Combined Forces to Create a Cloud-like City Loft
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Previously utilized as a studio by the popular architect and carver Maya Lin (designer of the Vietnam Veterans Memorials in Washington, D.C.) and as a production center before that, the 2,800-square-foot unit retained few of the desired commercial functions common amongst lofts in the neighborhood, save for a pair of floor-to-ceiling cast-iron columns. “It became about, ‘How can we deal with what we have?'” remembers Oyen. The response: Restore the original wood windows and floors, eliminate a layer of acoustic tile from the ceiling beam’s and ducts, hang a rattan swing, change the 1970s door with a more period-appropriate variation– and then provide every exposed feature a fresh coat of white paint.
But at the behest of the clients, Emma Lasry, now a research expert at an art advisory company, the loft couldn’t look too old-timey: “I wanted my own space to feel comfortable and cloudlike, but with lots of materials, patterns, and colors, and [Oyen and Lawrence] immediately got it.” After all, the two prestigious companies recognized enough with her style, having actually currently interacted to refurbish several (much bigger) houses for her parents on the Upper West Side and in Connecticut.
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Following Lasry’s cues, Lawrence gots to work on the scheme (intense pinks and blues) and design (adding a huge kitchens island and plenty of area for amusement). “Emma understood she wanted standard pieces mixed with modern, so we took that feedback and ran with it,” Lawrence states. “She’s a sophisticated girl– she could identify quite rapidly what she desired.”
The result is an intense, colorful apartment that feels absolutely unanticipated– both for the historical address and for the firms, referred to as they are for more opulent tasks, that came together to develop it. “We’ve been called chameleons prior to,” says Oyen of the team. “It’s a big compliment!” You can also check another post like yule decorations.
” You desire a home like this to be exposed to you,” says Oyen, who transferred the front entrance so that the first thing visitors see is the dramatic cast iron columns. (Doing so also created space for an sunlit open kitchen at the front of the unit.) An “impassioned” look for the ideal door led them to Demolition Depot in Harlem, where they found a heavy metal doors from another old warehouses in downtown Manhattan. Retrofitted with an antique door better and brand-new hardware, it’s “one of the few antique pieces we gave the project,” says Oyen. “It really makes the area.”
Chandelier: Currey and Company. Door: vintage, Demolition Depot. Paint: Chantilly Lace by Benjamin Moore. Art: Untitled by Richard Prince (Instagram picture of Andreas Aresti, @andreasaresti).
For architect Andrew Oyen and decorator Elizabeth Lawrence, the biggest challenge in this New-York loft was setting up the huge open floor plan as a comfy entertaining mecca. Swing: Serena & Lily. Sofa: Mitchell Gold + Bob Williams. Pillow’s: John Robshaw (pink) and Lee Jofa with Samuel & Sons trim (blue). Coffee table: Anthropologie. Lamp and side table: Bunny Williams Home. Carpet: Studio Four NYC.
They are developing elegant. However, comfortable seating zones were an essential part of Lawrence’s design technique. And yes, that’s a statues of Allen Iverson watching overs the room: “It does not exactly go,’ however I enjoy that people are puzzled by it,” Lasry laughs. Chairs: Layla Grayce in Peter Dunham and Lee Jofa materials. Side table: R.H. Bar cart: Arteriors. Art: Andy Warhol. Also check types of engineering.
Customized cabinets in a pale gray (Collingwood by Benjamin Moore) set the kitchen apart from the rest of the white-walled house. Stools: Wesley Hall in Fabricut material. Pendants: Hudson Valley Lighting. Backsplash: Complete Tile Collection. Hood and variety: Viking. Fridge: Sub-Zero. Sink: Franke. Faucet: Waterworks. Hardware: Rejuvenation.
The dynamic Paper Mills wallcovering and lotus-inspired pendant from Shades of Light produce a “wow” moment in this small space. Sconce: Circa Lighting. Mirror: Michael S. Smith for Mirror Images Home. Sink: Urban Archaeology. Faucet: Waterworks.
Hints of black offer the Tulu Textiles material (on a Wesley Hall chair) a contemporary feel. Bed: Niermann Weeks. Bench: Eloquence in Peter Dunham material. Upholstery trim: Samuel & Sons. Table lamp: Horchow. Side table: Currey and Company. Flooring light: Circa Lighting. Carpet: Dash & Albert. Wall paints: Dreamy Cloud by Benjamin Moore. Also view another post kitchen design ideas.
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